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Bounty Trilogy (17 records)
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N. C. Wyeth (1882-1945)
The Topaz, with all sails set, was now far out
1940Oil on hardboard (probably Renaissance Panel), location unknown
N. C. Wyeth (1882-1945)
The Bounty Trilogy,
dust-jacket illustration
1940Oil on hardboard (Renaissance Panel), 10 3/8 x 11 3/4 in. (26.3 x 29.8 cm)Private collection
N. C. Wyeth (1882-1945)
For a long time neither of us spoke
1940Oil on hardboard (Renaissance Panel), 30 x 20 1/2 in. (76.1 x 52 cm)Private collection, Guilford, CT
N. C. Wyeth (1882-1945)
The chief raised his musket and fired
1940Oil on hardboard (Renaissance Panel), 26 1/4 x 18 1/4 in. (66.6 x 46.3 cm)Collection of Mr. and Mrs. Frank E. Fowler
N. C. Wyeth (1882-1945)
He looked worse than any naked savage,
composition drawing
1940Pencil on paper, approximately 25 x 18 7/8 in. (63.4 x 47.9 cm) (sheet irregular)Collection of Brandywine River MuseumBequest of Carolyn Wyeth, 1996
N. C. Wyeth (1882-1945)
H. M. S. Bounty,
composition drawing for frontispiece
1940Pencil on paper, sheet: size, 24 1/8 x 15 1/2 in. (61.2 x 39.3 cm)Collection of Andrew and Betsy Wyeth
N. C. Wyeth (1882-1945)
They made a handsome couple
1940, known by reproduction only
N. C. Wyeth (1882-1945)
"She makes a grand light"
1940Oil on hardboard (Renaissance Panel), 30 x 20 1/2 in. (76.1 x 52 cm)The Free Library of Philadelphia, Central Children's Department
N. C. Wyeth (1882-1945)
Well we knew what was happening there
1940Oil on hardboard (Renaissance Panel), 30 1/4 x 20 1/2 in. (76.8 x 52 cm) Private collection
N. C. Wyeth (1882-1945)
He looked worse than any naked savage
1940Oil on hardboard (Renaissance Panel), 31 x 21 1/2 in. (78.7 x 54.6 cm)Private collection
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